“It’s hard being a human, but being a common person in China is even more difficult.” – UP THE YANGTZE

Who gets left behind in the name of progress? In these two documentaries, low-income people struggle to stay afloat in the midst of China’s rapid economic growth and bold technological endeavors. In STREET LIFE, director Zhao Dayong offers a vérité portrait of migrants from rural China living in Shanghai who occupy Nanjing Street, an upscale shopping district, collecting and selling recyclables. In UP THE YANGTZE, directed by Yung Chang, a teenaged girl whose home will soon be flooded by the impending Three Gorges Dam finds herself working on a cruise ship offering tours of the river that will soon swallow all she knows. With these two films, the directors offer portraits of people who have no other option but to make way for progress- to bend to its will and hope that the future will be kinder.

STREET LIFE (南京路)
Dir. Zhao Dayong, 2006
China, 98 mins.
In Mandarin with English subtitles.

MONDAY, JULY 1 – 7:30 PM
SUNDAY, JULY 7 – 5 PM
THURSDAY, JULY 18 – 7:30 PM
SUNDAY, JULY 21 – 7:30 PM

ONLINE TICKETS      FACEBOOK EVENT

Zhao Dayong’s first nonfiction film is a colorful and honest portrait of a group of migrants who live and work on Nanjing Road, an upscale shopping district in Shanghai, collecting and selling recyclables. There’s “Big Fatty,” the wise fool who sings poems and rhymes referencing Chinese literature and politics; Ah Qiao, the dishonest entrepreneur who purchases cans off the other migrants; and “Black Skin”- the anti-hero of the story, whose innocence and hard-working nature leaves him susceptible to attack. After Ah Qiao betrays him, Black Skin spirals into apathy and insanity.

“These beggars and litter-collectors exist as invisible and forgotten shadows of Shanghai, moving in a sort of parallel reality but strictly linked to the same boom that excites the city. It is just the other side of the capitalist coin, the extreme poverty of the periphery juxtaposed with the growing wealth of the center, adopting the same capitalist strategies for surviving in a dramatic, grotesque fashion.” – Sara Beretta, “A Mad Dance on Shanghai Streets: Zhao Dayong’s Street Life”

After graduating from China’s Lu Xun Art Academy in 1992, Zhao Dayong worked for a number of years as a professional artist and advertising director, first in Beijing and later in Guangzhou. In 1997, he founded Guangzhou Dake, a design company. He was also founding editor of Culture & Morals, a now deceased journal for the contemporary arts in China. Zhao began exploring the medium of digital video in 2002. His first documentary film, STREET LIFE, premiered at Austria’s Viennale in October 2006. Zhao’s second documentary film, GHOST TOWN, a collage of stories that take place in the former government seat of Zhiziluo in remote northwestern Yunnan province, premiered at the New York Film Festival in 2009. His first fiction feature, THE HIGH LIFE, premiered at the Hong Kong International Film Festival in 2010, winning both the FIPRESCI Award and the Silver Digital Award. THE HIGH LIFE made its European premiere in the main competition at the Mannheim-Heidelberg International Film Festival in November 2010, where it won both the Werner Fassbinder Prize and the FIPRESCI Jury Prize.

UP THE YANGTZE (沿江而上)
Dir. Yung Chang, 2008
China, 94 mins.
In Mandarin with English subtitles.

WEDNESDAY, JULY 3 – 7:30 PM
TUESDAY, JULY 9 – 7:30 PM
SUNDAY, JULY 14 – 7:30 PM
WEDNESDAY, JULY 24 – 7:30 PM

ONLINE TICKETS      FACEBOOK EVENT

“Everywhere there are reminders of progress and sacrifice.”

The Three Gorges Dam, the largest power station in the world in terms of installed capacity, spans the Yangtze River, the largest and most revered river in Asia. It’s named for the three gorges it flooded, the Qutang, Wu Xia, and Xiling, which stretch for 124 miles and were renowned for their scenic beauty. Reportedly 1.3 million people (and up to 2 million) living in 1,500 cities, towns, and villages along the river were displaced as a result of its implementation.

In 2007, before the waters rose completely, 16 year old Yu Shui sets off from her impoverished family and their riverside home to work on a Yangtze river cruise called Farewell Cruises, offering a final glimpse of the Yangtze to wealthy tourists before the waters rise. Her parents, illiterate farmers, are saddened by having to send their daughter off to work instead of allowing her to continue her studies. Yu Shui suddenly has a new English name, Cindy, and is thrust into a whole new world where she must cater to wealthy foreigners on their vacations. Along with Yu Shui is Chen Bo Yu, or “Jerry,” an only child from a middle-class family who, with far less to lose, takes his job far less seriously. As Yu Shui struggles to navigate the modern world, her family seeks higher ground.

“It’s a tender and profound portrait of unwieldy, mass-scale modernization at work, a process multifaceted enough to include Yu Shui’s dawning optimism, Chen Bo Yu’s dispiriting setbacks, and a cheery tourist rendition of “My Bonnie Lies Over the Ocean” that also serves as a lament for tradition’s demise.” -Nick Schager, Slant

Yung Chang is the director of UP THE YANGTZE (沿江而上), CHINA HEAVYWEIGHT (千錘百鍊), and THE FRUIT HUNTERS. He is currently completing a screenplay for his first dramatic feature, Eggplant (茄子), and in post-production for a feature documentary about Robert Fisk, the controversial Middle East correspondent, co-produced by the National Film Board of Canada. His latest, Gatekeeper, is on the festival circuit and streaming on Field of Vision, Laura Poitras’ curated online film unit. Chang is the recipient of the Don Haig Award, the Yolande and Pierre Perrault Award, and the Guggenheim Emerging Artist Award. He is a member of the Directors Guild of Canada. In 2013, he was invited to become a member of the Academy of Motion Picture Arts and Sciences, the organization behind the Academy Awards / Oscars®.

FINGERILLA
dir. Micah Vassau, 2017
90 mins. United States.

THURSDAY, JULY 25 – 7:30 PM (with cast & crew in person for Q&A)
ONE NIGHT ONLY! (This event is $10)

ONLINE TICKETS      FACEBOOK EVENT

In a far away, fucked up land, there lives a broke country-fried blonde who isn’t so bright… Consuming raw chicken and collecting beer cans out of the river to make ends meet, she spends her ditzy days caring for her decrepit grandmother in their dilapidated abode. But after a sinister demon of static steals an egg that she believes to be her baby, she is flung unto a seriously perverse quest to be reunited with said egg.

Rummaging through her shabby woodland town by jet ski, inhaling all the drugs that cross her path, she encounters a myriad of total nutjobs. Some try to turn her on to God, some let her suck on their toes, while others pour 40s over her head, or seek to demolish her innocent soul.

No childhood imagination is safe from this disturbingly depraved fable of nooky, dope, and degeneracy. Savvily shot on VHS, edited by cerebrums of relentless corruption, and scored with pretty much any genre of music you can think of, FINGERILLA is a fairy tale trauma you’ll certainly want to spare your children of.

CONTENT WARNING: Seriously… leave your kids at home.

There’s only one way to prepare for the return of the maestro of low-fi culture clash and camp, and that is to throw ourselves at the altar of alterity and join what were once called degenerates. Jon Moritsugu will soon be releasing NUMBSKULL REVOLUTION with long-time collaborator Amy Davis, which promises to be a satire of art world antics in the desert. We can expect it to include themes of otherness in American dystopia, a messy avalanche of sound, and mutated forms of self-expression, all of which can be previewed in this summer series. Moritsugu’s early films take apart the postmodern moment with mutilated joy, expressing the senseless with style and dragging whatever constitutes punk culture straight to the trash bin.

All month we will also be selling special Jon Moritsugu merch. What kind of merch, you ask? We can’t explain online.

MY DEGENERATION
dir. Jon Moritsugu, 1990
70 mins. United States.

TUESDAY, JULY 2 – 10 PM
SUNDAY, JULY 7 – 7:30 PM
TUESDAY, JULY 16 – 7:30 PM
FRIDAY, JULY 19 – 10 PM
WEDNESDAY, JULY 24 – 10 PM

ONLINE TICKETS      FACEBOOK EVENT

Continuing the rich legacy of late-night Girl Group mondo pictures, MY DEGENERATION updates the hippie sleaze of BEYOND THE VALLEY OF THE DOLLS and the punk delirium of LADIES AND GENTLEMAN, THE FABULOUS STAINS with a dispatch from the late ‘80s art school wastoid pukescape. Just as ‘indie rock’ was about to cash its check with the meteoric ascent of Nirvana and company, the film follows teen band Bunny Love’s rise to the ambassadorship of the American Beef Institute. Replete with fuzzed-out regurgitations of the midnight movie semiosphere, it’s the cinematic equivalent of the sub-genre Robert Christgau once referred to as “pig-fuck.” Moritsugu’s future wife Amy Davis co-stars, plus a parade of top-notch tracks from Vomit Launch, The Fizzbombs, Halo of Flies, and Bongwater. So puerile, it caused American’s favorite film critic (and BEYOND THE VALLEY OF THE DOLLS scribe) Roger Ebert to walk out after 7 minutes. Two middle fingers all the way up!

*Preceded by the shorts MOMMY MOMMY WHERE’S MY BRAIN (1986) and L’IL DEBBIE SNACKWHORE OF NEW YORK CITY (1987).

MOD FUCK EXPLOSION
dir. Jon Moritsugu, 1994
67 mins. United States.

FRIDAY, JULY 5 – 10 PM
THURSDAY, JULY 11 – 7:30 PM
MONDAY, JULY 15 – 7:30 PM
FRIDAY, JULY 26 – 7:30 PM **Q AND A WITH DESI DE VALLE (M16)!**

ONLINE TICKETS      FACEBOOK EVENT

The Nipponese bikers have leather jackets and London, a broken-family blonde, wants a leather jacket more than anything. Her sister Nasty has one, but she’s a post-Quaalude comic artist and won’t give it up. London’s brother is a dumb wannabe mod, clinging to a style that is just nativism with thick-framed glasses. Top Mod Madball sums up their situation with a joke:

“Why did Hitler kill himself?”

“To get to the other side!”

All London has to do is party with the bikers and tell Kazumi that he has a great bod, but instead she’s in love with death-obsessed M-16. Cleopatra, the supernatural succubus and queen of feces, tries to give London some T-R-U-T-H but she won’t hear it! Everything is leading in a fucked-up, not-knowing-how-to-fuck direction not to mention the ultimate showdown between the pale mods and a powerful biker gang.

Preceded by the shorts SLEAZY RIDER (1988) and CRACK (1999).

TERMINAL USA
dir. Jon Moritsugu, 1993
57 mins. United States.

THURSDAY, JULY 4 – 7:30 PM
MONDAY, JULY 8 – 7:30 PM
SATURDAY, JULY 20 – 7:30 PM
FRIDAY, JULY 26 – 10 PM  **PHONE CALL WITH JON MORITSUGU AND AMY DAVIS!**
WEDNESDAY, JULY 31 – 7:30 PM (ORIGINAL ROUGH CUT!)
**Q AND A WITH CINEMATOGRAPHER TODD VEROW!**

ONLINE TICKETS      FACEBOOK EVENT

Family comes first in this disaster portrait of a comically depraved Japanese-American household on the verge of Armageddon. Wholesome suburban sitcom sensibilities are rigorously contorted through a deliciously deranged cocktail of vices and filthy secrets all wedged under one roof. Any hopes of quality time deteriorate into a feverish shitstorm, before dinner ever has a chance to be served.

While pill-popping mom and homicidal-minded dad are busy reprimanding their nihilist junkie son, Kazumi (Moritsugu), his pregnant, nymphomaniacal cheerleader sister desperately tries to keep a blackmailing sex tape under wraps, and the protractor-wielding prodigy twin brother, Marvin (also Moritsugu), harbors a secret lust for skinheads. As Kazumi casually bleeds out from a gash dealt by debt-collecting drug dealers, his fashion-damaged girlfriend, Eight-Ball (Amy Davis), is of no help, as she may have an extraterrestrial agenda of her own.

Laying to utter waste the dignified image of the “model minority” in doubtlessly the most gnarly soap-opera to ever be funded by PBS and aired on televisions across America, TERMINAL USA gives wings to the term “dysfunctional” and lets it soar.

*Preceded by the shorts BRAINDEAD (1987) and DER ELVIS (1988).

**Brand new VHS re-release by Random Man Editions for sale!

HIPPY PORN
dir. Jon Moritsugu, 1991
97 mins. United States.

WEDNESDAY, JULY 3 – 10 PM
FRIDAY, JULY 12 – 7:30 PM
SUNDAY, JULY 14 – 5 PM
THURSDAY, JULY 18 – 10 PM
MONDAY, JULY 22 – 10 PM

ONLINE TICKETS      FACEBOOK EVENT

“Let’s face it, all we’ll be doing for the next 75 minutes is smoking, drinking wine, and complaining about not having anything to do.”

Frenetic disaffection holds reign in HIPPY PORN, Moritsugu’s demented portrait of 90s scum-punk, anti-existentialist youth life. Populated by Warhol Factory rejects who find themselves caught in the wrong time, Moritsugu’s film goes beyond holding nothing sacred, and takes all cultural markers, be they religious, political, or fashionable as equal opportunity material for degenerated profanation.

Starring Moritsugu regular Victor of Aquitaine as L, accompanied by fellow faux-punks M and Mick, HIPPY PORN sees these young college wastoids milling about in deserted lots, cheap-o sets meant to double as underground clubs that remind one of Jack Smith, and their bedrooms. The long stretches of indifferent conversation are broken up and energized by aggressive flashing interludes of disorienting montage that belie the filmmaker’s punk roots.

Soundtracked by an impressive Matador lineup including Superchunk, The Frogs, and Unsane, it’s no surprise that HIPPY PORN ran at the Action Christine Cinema in Paris for over year, where it was certainly appreciated for its indelible brand of American antipathy crossed with a familiar sense of chain-smoking philosophizing.

Preceded by the shorts L’IL DEBBIE SNACKWHORE OF NEW YORK CITY (1987), BRAINDEAD (1987) and CRACK (1999).

UNHINGED
dir. Don Gronquist, 1982
79 mins. United States.
In English.

SATURDAY, JUNE 8 – MIDNIGHT
FRIDAY, JUNE 14 – MIDNIGHT
FRIDAY, JUNE 21 – MIDNIGHT
SATURDAY, JUNE 29 – MIDNIGHT

ONLINE TICKETS       FACEBOOK EVENT

Shot in Oregon in the early 80’s, UNHINGED follows three college girls on a trip to a jazz festival ‘upstate’. They get stoned and crash into a ditch, only to wake up in an old mansion with a strange woman, her mother and a caretaker.

Trapped by a storm with no way to contact anyone (“the closest phone is 2 miles away!”), the girls hunker down to recuperate until the roads clear. It’s not long, however, before strange sounds and phenomena tip them off to something being very, very wrong at the Primrose Estate.

The performances range in tone from ‘on too many painkillers’ to ‘community theater Tennessee Williams’, only adding to the surreal-dreamlike feel of the whole thing.

Featuring a synth score by John Newton that’s been described as sounding like “a black mass that’s being sabotaged by an all-skeleton Soft cell cover band”, UNHINGED is way more fun and moody than your average video nasty.

CONTENT WARNING: While the body-count and gore are relatively tame for a Video Nasty, the ending features a problematic twist, so be prepared for a decidedly Not Woke climax.

In collaboration with Alfreda’s Cinema, Spectacle is proud to present JACK YA’ BODY, an odyssey into the gritty world of underground disco and house-music dance culture through a selection of features, shorts, and found footage spanning NY-Chicago-Detroit in the 80/90s. Opening with Nicky Siano’s LOVE IS THE MESSAGE introduced by Melissa Lyde, this program features talks with DJs Joey Llanos (Paradise Garage), Douglas Sherman (The Loft/Joy), and Tabu (Soul Summit Music). Film critic and 4Columns film editor Melissa Anderson will introduce Derek Jarman’s recently rediscovered WILL YOU DANCE WITH ME?, and we will be joined by award-winning broadcast journalist Mark Riley to close out the program following the final night of MAESTRO.

Programmed by Melissa Lyde and Jimmy Weaver. Special thanks to Electronic Arts Intermix, Nicky Siano, Jeffrey Arsenault, American Genre Film Archive and Vinegar Syndrome.

PUMP UP THE VOLUME
dir. Carl Hindmarch, 2014
147 mins. US/UK.

SUNDAY, JUNE 2 – 5 PM
FRIDAY, JUNE 7 – 10 PM
TUESDAY, JUNE 18 – 10 PM
THURSDAY, JUNE 27 – 7:30 PM

ONLINE TICKETS      FACEBOOK EVENT

From its humble beginnings in the underground clubs of Chicago, house music has since blossomed into the biggest cultural phenomenon since rock and roll. Fifteen years since its birth in America’s heartland, house has come to dominate pop music the world over: from Madonna to U2, no one has escaped its restless beat. It has turned DJs into superstars and transformed night clubs into global grounds for cross-cultural pollination. In short: house music is a way of life. This is the guiding principle behind the BBC’s PUMP UP THE VOLUME a documentary about house culture from Chicago to the UK.

PUMP UP THE VOLUME follows the evolution of house music from its birth in Chicago to the myriad of diverse music it has since spawned. Born from the ashes of disco, house music arrived pre-destined to change the world. From the underground to the mainstream through countless interviews from the people who made it all happen, Pump includes the birth of all of the major genres that sprang from its fertile shores; acid, techno, trance, drum and bass, UK garage, and more.

WILL YOU DANCE WITH ME?
dir. Derek Jarman, 1984/2014
78 mins. US/UK.

FRIDAY, JUNE 21 – 7:30 PM with introduction from film critic Melissa E. Anderson
ONLINE TICKETS      FACEBOOK EVENT
SATURDAY, JUNE 29 – 7:30 PM

Twenty years after his untimely death, a heretofore unknown Derek Jarman film has come to light: discovered by friend Ron Peck, Jarman’s scrappy documentary was shot on location inside Benjy’s, a now closed gay nightclub in East London. Originally shot as experimental B-roll for Peck’s EMPIRE STATE (1987), this uncut 78 minutes includes hot cuts from Frankie Goes to Hollywood, among others.

NIGHT OWL
dir. Jeffrey Arsenault, 1993
77 mins. United States.

SATURDAY, JUNE 8 – 10 PM
SATURDAY, JUNE 15 – 10 PM
SATURDAY, JUNE 22 – 10 PM
FRIDAY, JUNE 28 – MIDNIGHT

ONLINE TICKETS      FACEBOOK EVENT

Set in 1984 on the streets of Manhattan’s lower east side, Jeffrey Arsenault’s gritty, guerrilla-style debut feature is a nightmarish tale of urban vampires. In one of his earliest screen appearances, John Leguizamo stars as Angel, a young man on a desperate search for his missing sister. Alongside incredible glimpses of long-gone Lower East Side clubs, NIGHT OWL also features cameos from local nightlight personalities Michael Musto, house music pioneer Screamin’ Rachel, and Warhol superstar Holly Woodlawn.

MAESTRO
dir. Josell Ramos, 2003
89 mins. United States.

FRIDAY, JUNE 7 – 7:30 PM with Douglas Sherman and Joey Llanos in person for Q&A
ONLINE TICKETS       FACEBOOK EVENT

FRIDAY, JUNE 28 – 7:30 PM with Mark Riley in person for Q&A
ONLINE TICKETS      FACEBOOK EVENT

MAESTRO tells the story of a group of people finding refuge and reason for living outside the mainstream. New York City’s club scene laid the groundwork for what was to come in global dance culture, and Ramos’ turn-of-the-century portrait gives us a rare insight into this secret underground world. Featuring interviews with pioneering dance music DJs, producers and “founding fathers”, and centering on groundbreaking Paradise Garage DJ Larry Levan, MAESTRO devotes equal screen time to past legends and contemporary acolytes of house. Opting for a more personal and candid approach, Maestro shows the true history of its people through a realistic creative aesthetic. Tracing the origins of underground dance culture, Ramos’ documentary is an honest portrayal of these sonic rebels, and the lives they lived and died for.

LOVE IS THE MESSAGE: A NIGHT AT THE GALLERY
dir. Nicky Siano, 2011
80 mins. United States.

SATURDAY, JUNE 1 – 7:30 PM w/introduction from series programmer Melissa Lyde
ONE NIGHT ONLY!
ONLINE TICKETS      FACEBOOK EVENT

Directed by Nicky Siano, LOVE IS THE MESSAGE takes the viewer back to the heyday of dance music for one night at New York’s famed club, The Gallery. Opened in 1972 by Siano and his brother, The Gallery’s profound effect on the dance music scene reverberates today in clubs around the world. Before Studio 54, Paradise Garage, and The Warehouse, there was The Gallery, where Nicky Siano could be found in the DJ booth every Saturday night. Grace Jones and Loleatta Holloway both made their first appearances at The Gallery – even Chicago house pioneer Frankie Knuckles used to blow up balloons for the club, often in the company of future Paradise Garage resident Larry Levan. This was a time before disco was capital-D Disco, and before the imposing velvet ropes of the high-society discotheques. In Siano’s own words: “the absolute honesty of the film, not hiding the bad stuff, but putting it in your face, is the only kind of film I could relate to. To see these legends on film is a priceless peek at the reality of being a dance music super star. Please take a look and remember, love will always be the message.”


DEEP IN VOGUE SHORTS PROGRAM
Dir. Various, 1980-1990.
70 mins.

SATURDAY, JUNE 1 – 10 PM
THURSDAY, JUNE 6 – 10 PM
MONDAY, JUNE 24 – 10 PM
SUNDAY, JUNE 30 – 5PM

ONLINE TICKETS       FACEBOOK EVENT

DEEP IN VOGUE is a curated selection of shorts and clips that exemplify the intrinsic energy of the gaudy dance style known as Voguing. HOUSE OF TRES (from Diane Martel, now an iconic music video diector) explores dance styles in 90s NYC nightlife; Charles Atlas’ WHAT I DID LAST SUMMER (aka BUTCHER’S VOGUE) is set in a Meat Market restaurant after hours, starring voguing waitstaff, two sex workers on the run, and a thirsty cop. In DJ PIONEERS LARRY LEVAN, various friends and DJs give firsthand accounts of Paradise Garage DJ Larry Levan; HAPPY BIRTHDAY LARRY features a rare interview with Levan discussing his inspirations. Among other clips, CHICAGO HIP-HOUSE measures the impact of house music on Chicago hiphop during the Eighties and Nineties.

Melissa Anderson is the film editor of 4Columns and a regular contributor to Artforum and Bookforum.

Joey Llanos has DJed for 30+ years, beginning his career at the Paradise Garage, made famous by Larry Levan, and continues to keep the ethos of the Garage alive through annual events and as its key historian and archivist.

Douglas Sherman is the musical host for Adventures in Flight, beginning his career assisting David Mancuso and his seminal Loft parties in a variety of roles including musical host since 1985.

Mark Riley is an award-winning broadcast journalist with 40+ years of experience hosting and directing radio programs and pioneering media strategies that attract a loyal, diverse audience.

Tabu is one of the founders of Soul Summit Music, a Brooklyn-based outdoor disco/house-music festival and has DJ’ed globally for over 25 years.

Alfreda’s Cinema screens films that tell Black/POC stories that resonate with depth and love, the richness and culture of our history, our dynamics, our shapes, our colors, and our truth. Programmed by Melissa Lyde, Alfreda’s Cinema continues as a bi-monthly series at Metrograph with programs, talks and special appearances that aspire to bridge communities.