THE ADVENTURE OF FAUSTUS BIDGOOD

THE ADVENTURE OF FAUSTUS BIDGOOD
Dirs. Andy Jones, and Michael Jones, 1986.
Canada. 110 min.
In English.

SATURDAY, JUNE 8 – 7:30 PM
SUNDAY, JUNE 23 – 5 PM with producer/actor Q&A (This event is $10.)
THURSDAY, JUNE 27 – 7:30 PM

 

SPECIAL EVENT TICKETS (6/23)

GENERAL ADMISSION TICKETS

A Canadian cult classic and a hot contender among the strangest films ever made, The Adventure of Faustus Bidgood was the first feature film shot entirely in Newfoundland. This satirical phantasmagoria of politics and bureaucracy follows the ineffectual Faustus Bidgood, an administrator for the Department of Education in St. John’s, Newfoundland. Viewers weave in and out of his muddled, ludicrous daydreams about leading Newfoundland’s secession from Canada, losing grip on the film’s reality along the way. Containing schemes within schemes and films within films, Faustus Bidgood provides an answer for those who have wondered, what if the Zucker Brothers created a film inspired by the French New Wave on a shoestring budget?

The film famously took ten years to complete due to the constraints of its budget, which was so small that the crew couldn’t afford to get the film processed. Instead, they stored the unprocessed reels in their home freezers and eschewed the important undertaking of screening daily rushes.

Set and shot during the early years of Newfoundland’s confederation with Canada, filmmaker Andy Jones has noted that Newfoundlanders still felt a need to prove their worth to Canada at the time. Indeed, both the film and the characters’ sense of national incongruity shines through, resulting in a film that is not quite Canadian and not quite anything else. Instead, for Canadians and non-Canadians alike, The Adventure of Faustus Bidgood is a cinematic escapade that is equal parts resonant and incomprehensible.

On Sunday, June 5th at 5:00 pm, we will be joined for a Q&A with Faustus Bidgood producer and actor, Robert Joy.

 

FUNKY FOREST: THE FIRST CONTACT

FUNKY FOREST: THE FIRST CONTACT
Dirs. Katsushito Ishii, Hajime Ishimine, Shunichirô Miki, 2005.
Japan, 150 min.
In Japanese.

SUNDAY, JUNE 2 — 5 PM
SUNDAY, JUNE 9 — 7:30 PM
TUESDAY, JUNE 18 — 7 PM
SATURDAY, JUNE 29 — 10:00 PM

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21 episodes. 2 “Sides.” One film like no other.

This May, we at Spectacle present Funky Forest: The First Contact. This WTF classic will make you laugh, cringe, and marvel at the breadth of imagination packed into one feature film. From the hilariously mundane to the unbelievably weird, every moment of this film is unexpected. A trio of directors (Ishii, Ishimine, and Miki) infuse this film with a “funky” musicality and beige mid-aughts vibes. Segments include legends such as Evangelion creator Hideaki Anno, Susumu Terajima and Tadanobu Asano (Ichi the Killer himself!). Come to your favorite microcinema and check out the best sketch comedy movie of the 21st century!

DREAMS IN DECAY: SYNUMERU AND EMPATH

SYNUMERU
(СИНУМЕРУ)
Dirs. Anna Zatsarinna, Maksym Zatsarinnyi. 2023.
Ukraine. 26 min.
In English and Ukrainian with English Subtitles.

EMPATH
Dirs. Rebecca Shenfeld, Ian Cone, Rafael Villanueva. 2024.
United States. 55 min.
In English.

SATURDAY, JUNE 8 – 10 PM
THURSDAY, JUNE 20 – 10 PM
MONDAY, JUNE 24 – 7:30 PM
SUNDAY, JUNE 30 – 7:30 PM with filmmaker Q&A (This event is $10.)

SPECIAL EVENT TICKETS

GENERAL ADMISSION TICKETS

We are living in unprecedented times. Looking through your phone or even at your own neighborhood, you find yourself faced with images of post-viral fatigue, crumbling towns, and society pushed to the edge of sanity. War, Famine, Death, and Destruction. The weight is almost unbearable. How can we still create in a time like this?

DREAMS IN DECAY attempts to answer. This June at Spectacle, we will be shining a light on creators far and wide who have turned an eye to their surroundings and have chosen to see magic in the darkness – while using a wide range of techniques including animation, pyrotechnics, AI, and good old-fashioned trespassing. Spectacle is happy to share with you two films from these proud artists who have found a way to dream in the decay.

SYNUMERU
(СИНУМЕРУ)
Dirs. Anna Zatsarinna, Maksym Zatsarinnyi. 2023.
Ukraine. 26 min.
In English and Ukrainian with English Subtitles.

“In this episode, the Hermit meets an explosion, and the story spins completely out of control.”

Part one of an ongoing series, SYUNMERU seeks to record and understand the unique and transformative experience of those caught in the Russo-Ukrainian War through the lens of Magic Realism. Tools include inventive costumes, evocative handheld cinematography, and beautiful ritual.

Perhaps better known as Max Svitlo and Salt Salome, husband and wife duo Maksym Zatsarinnyi and Kazakh-born Anna Zatsarinna have been loving, living, divining, costuming, performing, and sculpting together in Ukraine since 2022.

EMPATH
Dirs. Rebecca Shenfeld, Ian Cone, Rafael Villanueva. 2024.
United States. 55 min.
In English.

“A woodland girl encounters a mysterious woman entwined with an octopus, embarking on an otherworldly odyssey through a tunnel into a realm inhabited by bizarre entities.”

An absurdly funny and feral piece of Post-Youtube anarchy set in a rich and filthy fantasy world that at first glance appears to be nothing more than a dead strip of housing development. EMPATH is focused on fostering a sense of joy and purpose for a community who may lack some of both – while addressing love, dating, authority, childhood, and loneliness. Featuring a killer noise soundtrack with FIRE-TOOLZ, HAUS ARAFNA and more.

Created by Adult Swim seasoned filmmakers, performers, artists, and friends Rebecca Shenfeld, Ian Cone, and Rafael Villanueva throughout COVID and beyond. Please join us Sunday, June 30th at 7:30 PM  for a Q&A with the filmmakers!

!!!STROBE WARNING!!!

 

THE CRIMSON COPY

THE CRIMSON COPY

THE CRIMSON COPY
dirs. Max Rooney, Hank Allen. 2023.
United States. 80 min.
In English.

THURSDAY, JUNE 13 – 7:30 PM with filmmaker Q&A (This event is $10.)
SUNDAY, JUNE 16 – 5 PM
FRIDAY, JUNE 28 – 10 PM

SPECIAL EVENT TICKETS

GENERAL ADMISSION TICKETS

WORK SUCKS!

Meet Dennis Renfield: a completely broke and burnt out weed smoking loser. In his slacker haze, Dennis dreams of the easy life: Poolside living, plenty of drinks, and smokin’ hot chicks. One night, Dennis’ dreams are answered. After receiving a strange phone call, Dennis finds himself working for a disturbing man known only as “Frank” at the mysterious SWAAV company. Soon, Frank’s true nature is revealed and it appears Dennis may have bitten off more work than he can chew.

Parked at the haunted hayride, ripping bongs in the backseat next to VAMPIRE’S KISS and AMERICAN PSYCHO, you’ll find THE CRIMSON COPY – the completely charming and utterly bizarre new workplace comedy horror from directing team MAX & HANK! This June, only at Spectacle.

Join us for an extra spooky Q&A with directors Max Rooney and Hank Allen on Thursday the 13th! Q&A moderated by Emily Pierce.

All showings of THE CRIMSON COPY will be screening with:

REVENGE OF THE GREAT PUMPKIN
dirs. Max Rooney, Hank Allen. 2020.
7 min.

 

THEY DREAMT OF PIPE: THE SHORTS OF HAYLEY GARRIGUS

ONE NIGHT ONLY!

FRIDAY, JUNE 28 – 7:30 PM  (This event is $10.)

SPECIAL EVENT TICKETS

After spending three years in the underworld of multiple internet subcultures to finish her first feature, the Spectacle Approved documentary YOU CAN’T KILL MEME – a thesis on memetic chaos magic and those who practice it online and off – artist Hayley Garrigus was looking to have a little more fun with filmmaking. Alice Deejay, Deer Disease, Psychics, Mermaids, and more. This month, fun will be had.

On June 28th, please join us at Spectacle for THEY DREAMT OF PIPE, a collection of Hayley Garrigus’ confessionally meditative diary essay films, focusing on her deep sense of curiosity, strong hand in thematic threading, and keen eye for worthwhile experimentation – including the premiere of two all-new shorts, POLOMAR and HYATT.

Q&A moderated by American video artist and filmmaker Peggy Ahwesh.

Shorts included are:

SENTIMENTAL (CONVERTED)
dir. Hayley Garrigus, 2018.
4 min.

27PRION-JUMBO
dir. Hayley Garrigus, 2020.
9 min.

I CAN’T TALK TO YOU IF YOU KEEP TALKING TO PSYCHICS
dir. Hayley Garrigus, 2020.
8 min.

FUCKPSYCHICS#2
dir. Hayley Garrigus, 2020.
9 min.

BETTEROFFALONE
dir. Hayley Garrigus, 2020.
9 min.

3THINGS
dir. Hayley Garrigus, 2020.
4 min.

MERMAID FAITH
dir. Hayley Garrigus, 2021.
4 min.

POLOMAR
dir. Hayley Garrigus, 2024.
7 min.

HYATT
dir. Hayley Garrigus, 2024.
12 min.

O IMPÉRIO DO DESEJO

O IMPÉRIO DO DESEJO
(The Empire of Desire)
dir. Carlos Reichenbach, 1980
Brazil. 110 mins.
In Portuguese with English subtitles.

WEDNESDAY, APRIL 3 – 7:30 PM
FRIDAY, APRIL 12 – 5 PM
THURSDAY, APRIL 18 – 10 PM – Q&A With Filmmaker & Film Scholar Fabio Andrade, Moderated by Isaac Hoff 
MONDAY APRIL 22- 10 PM

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“I dedicate to Pierre Proudhon: All property is theft!” – Carlos Reichenbach

“I’m the one who made this film, not Carlão. This film is mine!” – Rogério Sganzerla

“He Became a poet, lost everything.”

Brazilian master Carlos Reichenbach’s anarchistic Pornochanchada is a bacchanalian expression of pure cinema, an ode to debauchery that blends elements of slasher, political manifesto, and slapstick comedy.

Juxtaposed against the vastness of the sea, “O IMPÉRIO DO DESEJO” follows Sandra, a widow who inherits a small beach house. She appoints a hippie couple to watch over it, much to the distress of conservative lawyer Carvalho and her cruel fiancé Odilon. Together, they become entangled in an erotic quest for freedom.

Special thanks to William Plotnick & Eugenio Puppo

Content Warning: Sexual Violence

WHO AM I THIS TIME?

WHO AM I THIS TIME?
Dir. Jonathan Demme, 1982.
United States. 53 min.
In English.

MONDAY, APRIL 1 – 10 PM
SATURDAY, APRIL 6 – 5 PM
SUNDAY, APRIL 14 – 5 PM
TUESDAY, APRIL 30 – 10 PM

TICKETS HERE

Helene Shaw (Susan Sarandon) is directionless when she arrives in the small town of North Crawford. Harry Nash (Christopher Walken) is a meek hardware store clerk who by night transforms into iconic characters of the stage. When Helene is cast alongside Harry in a community theater production of A Streetcar Named Desire, it kicks off a passionate romance. However, as they get to know one another the lines between their characters and real life blur. WHO AM I THIS TIME? is an examination of performances we put on in our everyday lives. This made-for-TV film, originally broadcast on PBS as a part of the American Playhouse series, was adapted from a Kurt Vonnegut story. Jonathan Demme, hot off of the award-winning Melvin and Howard, directs with his usual humanist sensibility. WHO AM I THIS TIME? is TV entertainment at its peak with an all-star team in front of and behind the camera.

Screenings Will Be Preceded By:

TRISHA BROWN’S ACCUMULATION WITH TALKING PLUS WATER MOTOR
Dir. Jonathan Demme, 1986.
United States. 11 min.
In English.

THE EARLY OBSESSIONS OF BIGAS LUNA

“The thing that interests me most in films is to create credible subworlds. I prefer not to call them fantasies. I want to explain the stories in logical and realistic forms.” – Bigas Luna

Bigas Luna, born José Juan Bigas Luna in 1946, trained in interior and industrial design before beginning his filmmaking career in his native Barcelona in the mid-seventies. He exploded onto the silver screen with the gritty low-budget thriller BILBAO in 1978. Though many might recognize the name from REBORN (1981), his only American film, starring Dennis Hopper and Michael Moriarty, or ANGUISH (1987), his inventive and intense film within a film horror film, starring Zelda Rubinstein, he is perhaps best known for introducing audiences to Penelope Cruz, and for introducing her to Javier Bardem, in the torrid love triangle JAMÓN, JAMÓN, in 1992. The film would join GOLDEN BALLS (1992) and THE TIT AND THE MOON (1994) to form his Iberian Trilogy, also called his Iberian Passion Trilogy, a trio of seductive, surreal, erotic and painterly melodramas that would bring him critical and commercial success.

His early works BILBAO (1978) and CANICHE (1979), though less polished, maintain an intensity, a provocative power and a rebellious spirit that render them continuously fascinating and disturbing, as shocking and fresh as anything else produced in his career, distinguished as vital films in his filmography and in the whole of Spanish cinema. They belong to a time of renewed freedom in Spanish culture and filmmaking, a period of transition after the death of Franco, in which orthodox ideas could be challenged, icons shattered, and taboos destroyed. This April, in collaboration with The Bigas Luna Tribute and Tierra Extraña NY, Spectacle is proud to present two of his early works, BILBAO & CANICHE.

BILBAO
dir. Bigas Luna, 1978
Spain. 98 min.
In Spanish and Catalan with English subtitles

FRIDAY, APRIL 5TH – 5 PM
THURSDAY, APRIL 11TH – 10 PM
MONDAY, APRIL 15TH – 10 PM
FRIDAY, APRIL 26TH – 7:30 PM (W/Q&A)

GET YOUR TICKETS! Q&A

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A disturbed middle-aged man (Ángel Jové) becomes obsessed with a stripper and prostitute named Bilbao on his nighttime prowls through Barcelona’s Chinatown. He follows and studies her, setting a plan in motion for her abduction. Shot in 16mm, the second feature shot by Bigas Luna following TATUAJE (1979) was actually his first to premiere on Spanish screens, shattering the taboos of Spanish society of the era and inaugurating a cinema of iconoclasm and eroticism.

In BILBAO, we share a dangerous intimacy with our obsessive protagonist. His thoughts and words, images and objects, sounds and pieces of music repeat incessantly over the course of the film, haunting him and us, as they reappear in sinister unexpected ways, stained by the rising tides of his lust and shaped by the shifting contours of his perversions. His everyday objects turned fetish objects become our fetish objects, as we join him in the crafting of his idealized sex object and the construction of his ultimate crime.

“Luna’s debut is a wonderful ample catalog of perversions, a voyeuristic exercise full of suggestive imagery… that brings the most fetishistic and twisted Alfred Hitchock to the damned and dirty Barcelona of the late seventies.” -Xavi Sánchez Pons

Each screening of BILBAO will be preceded by a video introduction from Carolina Sanabria, author of Bigas Luna, El ojo voraz.

The April 26th screening of BILBAO will be followed by a special discussion about the film in Spanish with Santiago Fouz-Hernández and Carolina Sanabria of The Bigas Luna Tribute and Casilda García López of Tierra Extraña NY.

CANICHE
(Poodle)
dir. Bigas Luna, 1979
Spain. 90 min.
In Spanish with English subtitles

FRIDAY, APRIL 12TH – 7:30 PM (W/Q&A)
FRIDAY, APRIL 19TH – 5 PM
THURSDAY, APRIL 25TH – 10 PM
MONDAY, APRIL 29TH – 10 PM

GET YOUR TICKETS! Q&A

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Brother and sister Bernardo (Ángel Jové) and Eloisa (Consol Tura) lead a cloistered existence in a crumbling Catalan mansion where they subsist on the charity of their wealthy aunt as they await the inheritance they’ll receive from her death. They lavish their attention and affection on their pet poodle Dany, sublimating erotic desires onto their canine companion. Dany is the witness to and the victim of their downward spiral of debasement, which only accelerates as their financial fortunes grow.

Bigas Luna’s odyssey of the perverse continues in CANICHE, a provocative and perturbing dissection of the incestuous, cannibalistic and bestial bourgeoisie.

“… (CANICHE is) the spiritual sister of the John Waters films FEMALE TROUBLE (1974) and DESPERATE LIVING (1977). The first three Bigas Luna films are just as corrosive, free-spirited and punk as Waters’ films from the seventies; they seduce us with a dirty realism -very pop- which turns beautiful and causes Stendhal syndrome.” -Xavi Sánchez Pons

Each screening of CANICHE will be preceded by a video introduction from Santiago Fouz-Hernández, co-organizer of Bigas Luna Tribute, editor of the book and podcast El legado cinematográfico de Bigas Luna and author of the forthcoming book The Films of Bigas Luna.

The April 12th screening of CANICHE will be followed by a virtual Q&A with Santiago Fouz-Hernández.

THE EARLY OBSESSIONS OF BIGAS LUNA is presented in collaboration with The Bigas Luna Tribute and Tierra Extraña NY.

The Bigas Luna Tribute provides audiences with the unique opportunity of seeing some of Bigas Luna’s most critically acclaimed works and participating in in-depth discussions with special guests (academics and members of the Spanish film industry who worked with Bigas Luna).

Tierra Extraña NY is a living social network for New York’s Spanish diaspora, encouraging each other’s feats and initiatives and bringing Spain to life in NYC in events, productions & culture.

Special thanks to Santiago Fouz-Hernández, Carolina Sanabria and Casilda García López.

WILLIAM BANKS VS. PEOPLE’S POPS

WILLIAM BANKS VS. PEOPLE’S POPS
dir. Sam Blumenfeld, 2024
United States. 20 min.
In English
World Premiere

THURSDAY, MARCH 7 – 10 PM (W/Q&A)
THURSDAY, MARCH 21 – 7:30 PM (W/Q&A)

ADVANCE TICKETS Q&A

On October 14th, 2018, William Banks was locked inside a walk-in freezer for 45 minutes. “William Banks vs. People’s Pops” examines William’s trauma from the incident and his quest for revenge on People’s Pops, in a delirious yet heartfelt comedy, performed and composed with madcap energy, that defies simple documentary, mockumentary, or fiction categorizations.

Written by William Banks, Sam Blumenfeld and Russell Katz and starring William Banks, Anthony Oberbeck, Jamie Linn Watson, Maya Sharma, and William’s Former Boss, Spectacle is proud to present the world premiere of “William Banks vs. People’s Pops.”

Screenings will be preceded by a foreword by William Banks and followed by Q&As with the cast and crew.

MOSS BEACH

MOSS BEACH
dir. Armon Mahdavi, 2023
United States. 73 min.
In English and French w/ English subtitles

MONDAY, MARCH 4 – 7:30 PM
SUNDAY, MARCH 10 – 7:30 PM (W/Q&A)
FRIDAY, MARCH 22 – 7:30 PM (W/Q&A)
WEDNESDAY, MARCH 27 – 10 PM

ADVANCE TICKETS

ADVANCE TICKETS Q&A

A literary translator in San Francisco is unexpectedly visited by her niece, who she has not seen since a tragic family event. The two spend the weekend together in a small coastal town, where on hilly drives and misty beachside walks, in front of the fire, and over glasses of wine and plates of rigatoni, they discuss the power of literature and the perils of translation, share grief and regret, and find compassion and companionship.

Winner of the Audience Award at the 2023 Lower East Side Film Festival, Armon Mahdavi’s debut feature is an assured minimalist work wrapped in fog and patience, presented in mournful landscapes and intimate interiors, marked by sensitive performances, gentle rhythms and quiet intensity.

The March 10th screening will be followed by a Q&A with writer/director Armon Mahdavi and director of photography Aaron Champagne.

The March 22nd screening will be followed by a Q&A with writer/director Armon Mahdavi and lead actor Nancy Kimball.